Who is Garry Ravenhall?

About Garry Ravenhall 

Garry Ravenhall has been painting professionally for over 40 years. His work is treasured in homes across the world from the UK to Australia, the USA and New Zealand. His subjects range from landscapes and portraits to still-life and figure compositions.

Garry graduated from the University of Reading with a BA honours degree in Fine Art in 1985. He then moved to East Anglia where he lived until a short time ago; he has recently moved to Sleaford in Lincolnshire. 

He has recently retired from teaching Art and Art History to concentrate on his painting. He has also spent time in the past examining and moderating Art and Art History for two examination boards. He spent three years as Principal Moderator for A level Art and Design for Edexcel. 

Most of Garry’s work is painted on canvas or canvas board in oils or acrylics, although some of his smaller work, for example his landscape work from the Yorkshire Dales or the Lake District, is carried out in watercolour on watercolour paper. Occasionally pen and wash is used.

 Garry’s work is largely figurative although he does lean towards semi-abstraction at times. His passion is for the depiction of light and shade in an image and the sensitive and expressive use of paint.

Much of his work is painted to commission. The size of the work varies from notebook size for his watercolour studies up to the largest commission he painted many years ago for Ipswich Town Hall which was over 15 feet across. 

He specialises in portrait work, including animal studies, and also landscapes but he will consider any reasonable subject.
 

From the artist

'All of my paintings explore the boundaries of my own application of paint and gestural brushwork. I endeavour to be faithful to nature, working from direct observation, but also developing my mark-making with the brush and painting knife within the confines of naturalistic representation. I aim to respond to visual stimuli while creating work in which the application of paint is of paramount importance. Most of my work is created using brushes but more and more I use painting knives to generate more complex passages of paint.'
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